Other Publications

Brylla, C.(2018). “The Benefits of Content Analysis for Filmmakers.” Studies In Australasian Cinema. 12(2-3). pp. 150-161. full article

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Brylla, C. and Kramer, M. (2018). “A Pragmatic Framework for the Cognitive Study of Documentary.” Projections. 12(2). pp. 159-180. full article

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Brylla, C. (2018). “Bypassing the Supercrip Trope in Documentary Representations about Blind Visual Artists.” Disability Studies Quarterly – Special Issue: Blindness Arts (eds: Hannah Thompson and Vanessa Warne). full article

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Brylla, C. (2018). “Performativity on the Margin: Pornography: The Musical (2003).” Film Studies – Special Issue: Sex and the Cinema (eds: Mattias Frey and Sara Janssen). 18 (1). pp. 70-83. full article

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Ayisi, F. and Brylla, C. “See Me, Know Me – Cultural Expressions of Cameroonian Women”. Stimulus Respond – Africa. ISSUU. Jack Boulton. No. 25. Autumn 2014. full article

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Ayisi, F. and Brylla, C. “The Politics of Representation and Audience Reception: Alternatives Visions of Africa.” Research in African Literatures – Visibility in African Cultures. Volume 44 (2), Summer 2013. full article

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Brylla, C. “How are Film Endings shaped by their Socio-historical Context? Part 2.” Image and Narrative. Open Humanities Press. Volume 5 (1), Fall 2004. full article

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Brylla, C. “How are Film Endings shaped by their Socio-historical Context? Part 1.” Image and Narrative. Open Humanities Press. Volume 4 (2), Spring 2004. full article

Brylla, C. (2018). “A Social Cognition Approach to Stereotyping in Documentary”. Cognitive Theory and Documentary Film. Eds: Catalin Brylla, Mette Kramer. Palgrave Macmillan. full text.

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Brylla, C. and Kramer, M. (2018). “Intersecting Documentary and Cognitive Theory”. Cognitive Theory and Documentary Film. Eds: Catalin Brylla, Mette Kramer. Palgrave Macmillan.

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Brylla, C. (2017). “Spectatorship and Alternative Portrayals of Blindness”. Documentary and Disability. Eds: Catalin Brylla, Helen Hughes. Palgrave Macmillan. full text

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Brylla, C. and Hughes, H. (2017). “The Bricolage of Documentary and Disability”. Documentary and Disability. Eds: Catalin Brylla, Helen Hughes. Palgrave Macmillan.

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Brylla, C. (2017). “A Phenomenological Approach to Filmmaking Practice”. Conditions of Mediation: Phenomenological Approaches to Media, Technology and Communication. Eds: Tim Markham, Scott Rodgers. Peter Lang. full text

“Insights: Catalin Brylla on Representation in Documentary” – Guest article on documentary and representation on the Open City Docs blog

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“Why do we love Dexter Morgan in the Morning?” – Close reading of the title sequence of TV series Dexter – this accompanies an interview with former Digital Kitchen Creative Director Eric Anderson on Art of the Title.